Melbourne Symphony Orchestra concert 15 May 2009 - Dream

Featuring:
- Mendelssohn A Midsummer Night's Dream: Overture
- Rachmaninov Rhapsody on a Theme of Paganini
- Tchaikovsky Selections from The Nutcracker and Swan Lake

Alexey Yemtsov - Piano
Andrew Grams - Conductor

Tonight was a very very memorable night. Despite the corniness of the concert title, the relatively light music, and my low expectation of Tchaikovsky's ballet music treated seriously - one man changed all of that: the conductor Andrew Grams. I will talk more about it later.

Let's start with our usual organ recital by Calvin Bowman. I arrived 5 seconds late, and I can see the ushers closing the door. One of them then accompanied me to enter from the rear entry. I then sat at the last row, just a little bit inside in the row. More people then came, some of them sat in front of me. All perfectly fine until a couple asked me to give them some space so that they can walk past me while I immersed myself in Bach's music. Annoyed a little bit, since they could have walked till the end of the row without disturbing me. I almost snapped when an usher tapped my shoulder asking me to move a little bit inwards the row. He was the one who asked me to sit at the back row in the first place! The latecomers shouldn't be prioritised, especially when they are already late for 15 minutes. The usher should have suggested something cleverer like asking them to go the long way to get a seat without disturbing anybody. Wasn't happy with him, I did not move inwards, I gave some space for an elderly couple to move past, and then after the first Bach piece, I moved 6 or 7 rows in front where nobody is sitting. Then the rest of the recital is wonderful.

The first Bach piece was 'Piece d'orgue' Fantasia in G major, BWV 572. A very interesting piece with a two-note motif present towards the piece. The second piece was an arrangement of Bach's Organ Concerto in G major, BWV 592 by Ernst (not sure who he is). Lively two outer movements with a dark slow movement in between (IIRC). Next piece is Bridge's Lento - lovely music, not unsuitable as a gorgeous film music. Gigout's 'Adoramos in Aeternum' closed the recital beautifully. Fantastic performance from Calvin Bowman tonight. One slight complaint about MSO: they ran out of organ recital programs. I couldn't get one copy of it, but there were only around 50 people attending the organ recital. Eventually, I got a copy courtesy of a nice lady sitting beside me.

At a short glance, tonight's program consists of 'pretty' music. Nothing 'deep' like a Beethoven or Brahms or Mahler symphony. All are quite popular, especially Tchaikovsky's ballet music. This usually spells disaster in terms of performance: the orchestra can just play sloppily and the audience can still enjoy the music. But that didn't happen tonight. Mendelssohn's overture was played beautifully. The rapid strings notes came out as clear as crystal while never losing the excitement. MSO's woodwinds section chirps throughout. Brass and horns let their presence felt while not overpowering the strings. MSO just played so differently tonight, it was wonderful. The deliberate tempo slowing just before the recapitulation of the rapid strings works like charm. The finale is as fantastic as it could have been and the overture set the tone for the night: the audience is in for wonderful time.

Alexey Yemtsov came on the stage playing Rachmaninov's famous rhapsody. Instead of the usual muffled tone from the grand piano, he produced brilliant clear tone. Accompanied by the in-form orchestra, he blasted through the rhapsody, playing brilliantly throughout. The Dies Irae variation is heavy, cadenza like variations played lightning fast. Poetic is his approach during the slow variations leading up to the gorgeous 18th variation. He dashed through the finale as it was nothing, excitement is never far from his performance. As an icing on the cake, he gave an encore which unfortunately I'm not very familiar with. My best guess: impressionist (Debussy or Ravel piece?) or late romantic music.

I honestly didn't expect much from the performance of Tchaikovsky's ballet music, even after a great first half of the concert. My expectations were turned upside down after a few bars of the Nutcracker music. Tchaikovsky's music, being too popular, has always been treated lightly by a lot of performers and audience. Andrew Grams showed us how the Nutcracker can sound like if you treat Tchaikovsky's music as a masterpiece. The Nutcracker excerpt starts with the Entry of Clara and the Prince in the second act, followed by Spanish, Arabian, Chinese, Russian dances and Dance of the Reed Pipes. Percussion section shines here and have I already mentioned that the woodwinds played faultlessly tonight? The mother ginger music and the charming, ever popular Waltz of the flowers end this fabulous performance.

The crown achievement of the night is the performance of excerpts from Swan Lake. The all too familiar Swan Lake theme got an invigorating treatment. Climaxes are as loud as they can be, emphasising dramatic elements of Swan Lake story. The Waltz is so fantastic that when it ended, some people just can't help but applaud to it. Wilma Smith and David Berlin gave wonderful solos in Pas d'action of Odette and the Prince. The concert ended in a super overwhelming Finale of Swan Lake and the audience raptured in the end! Some of them even gave standing ovations. If I were to sum up that performance in one word it will be 'electrifying'. What a memorable night. This can easily be one of my favourite MSO concerts, equaling the great concerts of Mahler 1, 2 and Verdi's Requiem.

This night was made even memorable for some non-musical reasons. There are two small interruptions in the middle of this concert. The first one was a person almost collapsed while walking up the stairs in the middle of slow variations of Rachmaninov's Rhapsody. The second was in the middle of the Nutcracker excerpts where a number of ushers tried to help this old lady.

Conclusion: I will be having eargasm everytime in MSO concerts if MSO keeps playing at this level. I heard mutters of fellow audience after the performance and they all agreed with me that they just heard something rather special that night. 'Never heard of Swan Lake being done so dramatically', 'Love the conductor's conducting style', 'I thought that he's gonna take off' are just some example comments that I overheard. I'd love to see the conductor back in Melbourne: tackling a well-known symphony. Last but not least, tonight's concert is almost a full-house, extreme contrast with last Town Hall concert. MSO playing in this level is really wonderful, keep up the good work guys! Thanks for a truly memorable night.

My next concert: ACO playing Schoenberg's Transfigured Night.